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Pain Box
Ah, here we are at another wonderful VEWPRF season. Now last year, I sort of skipped out. I was tired, cranky, on the verge of a murderous rampage, exhausted, my computer broke, I ran out of gas, I had a flat tire, I didn't have enough money for cab fare, my tux didn't come back from the cleaners, an old friend came in from out of town, someone stole my car, there was an earthquake, a terrible flood and locusts. IT WASN'T MY FAULT, I SWEAR TO GOD. Seriously, what excuse would work for you? What reason would you take for me not doing any fun reviews? It’s probably true anyway. Now I’m wondering if I did actually cover my tracks enough that no one noticed I totally phoned in my VEWPRF stuff last year.
There’s not much point trying to cover it up any longer, I bought a Box of Pain last year. No, no, not that one. While that is a good guess, that box at least unveils some level of eroticism along with the pain and suffering. This box however, doesn't even draw you in with that promise. This box contains ONLY pain and suffering, in a happy Yuletide package. I am wiling to concede that both are from the darkest depths of hell however.
The contents of this Pain Box represent a violation of one of my rules though. See, I have a thing about writing reviews for the internet. I don’t want to be one of those reviewers who just watches dreck and garbage in the hopes of providing amusing commentary in the form of base insults to the hard work of many professionals. Even when it’s something horrible, where the filmmakers completely fell down on the job, I don’t want to be that guy. Two reasons for that A) There are enough other people doing that and doing it better than I can and B) The question “If you hate it, why keep doing it?” always springs to my mind and I keep thinking these guys are faking their outrage. They doth protest too much and all that. So I try never to buy anything with a view to reviewing it, because I don’t want to be the sort of person who seems like they’re just complaining to complain.
I do actually like most the things I review, certain movies about Hercules not withstanding, or at least bought them with the hopes of enjoying them. It’s just some of the things I enjoy are stupid, vapid, amazingly unaware of how silly they are, and so on. I like to prod and make fun of the things that don’t work while trying to point out the parts that do. Rarely do I ever sit down and intend to take something to the mat before even watching it. Even my reviews of The Charlie Brown Christmas and ‘Twas The Night Before Christmas were borne out of irritation, insulted intelligence and the ability to see foul manipulation now that I had the cynical eye of an adult. Actually, I formed that cynical eye around age 12, but I’d stopped watching those specials by then anyway. The point is that when I sat down with my bowl of popcorn and the DVD player, I had intended to enjoy those things, it was just after having them wash over me with evil and malice that I struck. My feeling being that if I didn’t rally the troops and fight back then perhaps no one would. Still though, my walk to hell began, as always, with the best of intentions.
That is why this box is such a violation. I had no illusions as to what I was getting myself into with this foul and wretched thing. One look at the cover lets you know what sort of pain and misery you’re in for if you try and watch this. Noticing that it’s from Mill Creek Entertainment should be another strong indicator. I have nothing against Mill Creek per say, but they are a budget house and fill their discs with whatever they can get their hands on that fits the criteria for the set. This they do well, these are all holiday specials, movies and cartoons.
That’s more than I can say for some companies… like Disney. The problem is that the quality is often suspect, the features are never top drawer and rarely more than the penny candy level of movies. Some TV Movies, some TV episodes, and a few movies that are so bad you could only see them late night on a TV channel that doesn’t know about infomercials. I knew what I was getting when I looked up the play list and saw not one but four Beverly Hillbillies episodes. Clearly, no good could come from buying this thing and the only reason to buy it was to use it as fodder for my annual bile spitting.
Well, that and I have a soft spot for this sort of thing. It can’t be denied that as a historian, I love these little bits of trash from days gone by. However, that was a secondary concern, we all know this and it would be dishonest of me to attempt to pretend otherwise. Still, though, it’s VEWPRF. That’s a time for cynicism, and my special brand of life saving acid, which can burn away the barnacles of nostalgia that threaten to pull you under and drown your spirit in a malaise of… I dunno, cranberry sauce? No, that’s Thanksgiving.
The point is, I bought this Pain Box and now I have to do something with it. Now if you’ve known me for a while, you know I love crappy cheap cinema. I have a great love for movies where enthusiasm is used to overwhelm the lack of budget, experience and in many cases… talent. I have no idea if Tim Burton and Johnny Depp created an accurate portrayal of Ed Wood, but I hope they did because it makes me love his movies all the more. His stuff sucks, but he really believed in it and loved what he was doing.
The problem with some of the stuff I’ve decided to review is that… well… it’s TV in the 50s and 60s. That means that they have talent, and a little bit of money, but not a lot of enthusiasm. It’s cheap, but even the people who made it don’t care so it’s not very easy to rip on them for it. If you think it’s lame, so did they. They don’t care about the product much beyond their check clearing, so you can’t even get their enthusiasm for the project. It’s hard to watch, hard to joke about, it’s just hard.
All that being said, let’s have us some fun! Fridays are now Pain Box Days! The nice reviews will still fall on Tuesdays though. Naughty and Nice, sounds like the Vague Early Winter Possibly Religious Festival to me. The reason I bring all this up, and talked your ear off about it (or eyes, in this case) is that tomorrow there will be a sort of pre-view of what the Pain Box has in store for us. After that, yeah, Fridays. I’m pushing this week’s entry up a day because it’s one of the two thanksgiving episodes in the Box.
Watch this space!Soundtrack: Musicmatch Jukebox
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PART ONE! PART TWO!! PART THREE!!!
AND I'LL FORM THE HEAD PART FOUR!!!!
( Let's Finish this! )Soundtrack: Prince - Soul Sanctuary
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Here is Part one of this trip Then Part Two
AND NOW... PART THREE!!!
( Last week, we saw how Hot Fuzz was replete with references… )Current Mood:  okay Soundtrack: David Benoit - Chi Chi's Eyes
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Here is Part One
So where were we? Oh yes, I remember now. Luke Skywalker just had his hand sliced off at the wrist. Now, I could pretty much mention any other Star Wars movie at this point, because Lucas has a hand amputation fetish, but that’s not how I roll. Let’s see where I go from a cut off hand.
( PART TWO )
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Here we are, November. Here we are a list of 40 movies. Let’s have a look at them shall we?
Part One ( PART ONE )Soundtrack: Fritz Kreisler - Andante Doloroso
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Maximum Overdrive (1986 De Laurentiis Entertainment Group Dir. Stephen King)
( Music by AC/DC )Current Mood:  amused Soundtrack: AC/DC - You Shook Me All Night Long
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Hercules and the Captive Women (1961 Dir. Vittorio Cottafavi) Episode 12 of Season 4 which was shown on September 12th, 1992
( As Spock said, “Pain! PAIN!” )Current Mood:  crazy Soundtrack: Richard Cheese and Lounge Against the Machine - Insane In The Brain
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Hercules Unchained (1959 Dir. Pietro Francisci) MST3K Episode 7 Season 4, August 1st, 1992.
( Follow the plot… if you can. )Current Mood:  contemplative Soundtrack: John Cougar Mellencamp - Hurts So Good
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The Amazing Transparent Man (1960 American International Pictures Dir. Edgar G. Ulmer) MST3K Episode 23 of Season 6, March 18, 1995
( You can see right through him! )Soundtrack: Queen - Invisible Man
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The Atomic BrainThe Atomic Brain (1964 Emerson Film Enterprises Dir. Joseph V. Mascelli) MST3K Episode 18 Season 5, December 4th, 1993
( Here we go! )Soundtrack: Everette Harp - Put It Where You Want It
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I decided the best way to end this month was to hit you guys with a fistful of Mystery Science Theater 3000 movies. However, I won’t be reviewing the episodes for this little series. What fun would that be? How could I turn myself inside out that way? No… I decided to do this without the safety net or a pair of robotic helpers. No net, no bots, no hope! I’m going to start with a repost, because I have it in the bag and why not, right? Let’s rock this mother with…The Killer Shrews (1959 Hollywood Pictures Dir. Ray Kellogg)
( Killer shrews, need I say more? )Soundtrack: Vince Guaraldi - Linus and Lucy
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The Crow (1994 Dimension Films Dir. Alex Proyas)
( Detroit, Detroit, Detroit, Detroit. )Soundtrack: Stone Temple Pilots - Big Empty
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Interview with the Vampire: The Vampire Chronicles (1994 Geffen Pictures Dir. Neil Jordan)
( Have you said your goodbyes to the light? )
Anyway, the movie in a nutshell...
Act One Louis: I'm depressed! Lestat: I'll make you a vampire! Louis: I'm still depressed! Lestat: Nothin' I can do about that. Louis: Then I'm going to set the house on fire!
Act Two Louis: I'm depressed! Lestat: I'll make this little girl a vampire. Louis: I'm still depressed! Lestat: Nothin' I can do about that. Louis: Then I'm going to set you on fire!
Act Three Louis: I'm depressed! Armand: I've got a theater full of vampires! Louis: I'm still depressed! Armand: Nothin' I can do about that. Louis: Then I'm going to set the theater on fire!
Addendum Louis: I'm depressed! Interviewer: Make me a vampire! Louis: NO! And I'm still depressed! Lestat: Oh shut up Louis! Louis: You wouldn't talk to me like that if I had some matches...
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There is going to be a contest for my list of the Top 40 Movies by tenuous and possibly bizarre connections. The winner will get $10 in Amazon money and there will be $5 for the second and third runners up.
Please see this post for details. |
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Bubba Ho-Tep (2002 MGM Dir. Don Coscarelli)
( Big as a peanut butter and banana sandwich. )Soundtrack: Bob McFadden and Rod McKuen - The Mummy
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Frankenstein (1931 Universal Dir. James Whale)
( No blood, no decay, just a few stitches. )Soundtrack: The Rippingtons - Spanish Girl
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This is a contiuation of the Fakin' it article I had about Film Noir, which I'd like to keep going, but I have to organize my thoughts on how to conitune.
Samurai Movies!
What is it? That’s the first thing to address here. There are two kinds of movies that get lumped into the Samurai category in the West. Jidaigeki is a period piece. Normally set between 1600 and 1870 or so. These tend to be a bit slower, a bit more drama than fighting, but because samurai are such a big part of Japan's history, you'll find a lot of them are about those guys. Chambara on the other hand is your actual sword-fighting movie, an action piece that is named after the onomatopoeia of swords clashing. Either way, what you have is stories of men with swords, honor and the conflicts that come with maintaining both of those in a cruel and wicked world. It’s a huge tent, much like the Western is in America and as such, contains numerous sub-genres. Short version, one is fun to watch and the other is fun to talk about. However, just recognizing the difference between these two will put you head and shoulders above fully 50% of the other people you’ll be talking to.
Is it Art or Pulp? Jidaigeki is art, Chambara is pulp. That’s not exactly right, since there are many movies that blur the line, but for the purposes of a Fakin’ It article, that distinction will do. Chambara are often based on mangas while Jidaigeki movies are regularly based on novels. I use the word manga instead of comic book, because there is an entirely different culture around the sequential story telling art in Japan than here. Suffice to say though, one is more visual than the other. Jidaigeki have beautiful images, but the story is often more internal and psychological while Chambara is visceral, emotional and quite regularly bloody as hell.
Themes to look out for Honor, duty, obligation, bushido and the conflict when one feels the need to deviate from those things. Particularly in Jidaigeki, you will find people who are internally conflicted with what they want to do and what they are supposed to do or what they believe society wants them to do. Depending on who the director is, there is a lot of the difficulty in maintaining appearances balanced with what a person can actually do. Chambara has those themes as well, but instead of balancing, they just kill everybody. You’ve got a movie like The Hidden Blade where a man tries to maintain his household, the woman he loves and his duty as a man to both his family and his lord who really only thinks about how to use him... and then you've got Yojimbo where the main character tricks two gangs into wiping each other out in order to fee a town of their grasp. If that was indeed his purpose. It might have just been he wanted paid, or he didn't like the cut of their jib, or he was bored. Hard to say honestly. Then of course there is the 47 ronin. You'll run into the Chūshingura a lot on either side. It's a very popular story about 47 Ronin who killed the guy who got their master killed. There is a lot of variation, and a lot of interpretations, but if you just remember that they planned for years, killed the guy, avenged their master and gave then themselves up to commit seppuku, you'll pretty much have it. It's pretty much the ultimate honor, obligation and revenge story for the Japanese.
Actors Directors to Watch For I honestly can’t tell you enough actors past Toshirō Mifune and Sonny Chiba, so I’m going to suggest directors instead. I will mention that Chiba was a hell of a producer and looking into anything he was involved with will at least be interesting. Akira Kurosawa is the one everyone in the west knows, but he's problematic as I'll go into later. Hiroshi Inagaki is another great one, very tradional. Yoji Yamada recently did some stellar work with his own samurai trilogy. On the chambara side you've got Kenji Misumi directed a lot of the Zatoichi and Lone Wolf and Cub movies, which probably makes him the father of the blood-spraying chambara. Ryuhei Kitamura did some interesting work.
Movies to Watch Since you only want this list to pass off as knowing about movies at parties and in bed, we’ll skip the stuff that’s just plain fun to watch and focus on things that are just plain good instead. The trilogy of The Twilight Samurai, The Hidden Blade and Love and Honor is a bit slowish, but oh so good. All three are based on the works of Shuhei Fujisawa and the first two are actually based on the same story, which lends an interesting level of comparison between versions. They’re also very grown up and mature stories. And sorry, but the label of mature in this context is code for “nothing happens but talking about feelings” instead of the “Bow-chicka-bow-wow” meaning mature normally gets slapped onto. When the Last Sword Is Drawn is an intricate drama, a story of a man seen through the eyes of the people who knew him. Harakiri which focuses on the hypocrisy of honor is quite good as is Goyôkin.
On the Chambara side (if you must) Pick one Lone Wolf and Cub, one Zatoihi, Azumi and Shogun’s Ninja. That will pretty much tell you everything you need to know. You must watch Shogun’s Ninja of course because it has CAMO NINJA! Actually, I keep thinking I should re-write that review, clearly that movie needs a more in depth look. If only for the opportunity to have more Camo Ninja.
Movies Not to Watch Leave Kurosawa out of this, he’s got no percentage when you want to sound clever. A lot of people in the west have only seen his movies. Likewise avoid Kill Bill, but then avoid that because it’s pastiche and therefore is only really reflected light. You can avoid a lot of things because for the most part, it can be quite frustrating trying to get a hold of good samurai movies. If you have trouble keeping up, just say “Yeah, I’m getting to that one, but there are so many things before that and these things cost money.” and you’ll be good to go.
Movies to Scorn Do not watch Seven Samurai. Or rather, do watch it. However, Seven Samurai is out because EVERYONE thinks of that movie. They’ll even think they know the movie when they haven’t seen it. The chief problem with Seven Samurai is that it is the anti- jidaigeki and anti-chambara movie all at once. Where as most period dramas are based around the goings on up at the local castle, in this there is no castle. Instead of dealing with the great and the good, it’s about the lowest of the low. Ronin, farmers and bandits, not a single noble in the movie except maybe for the kid, but he hardly counts. Where as most sword-fighting movie the leader is the best man with a blade, in this the best swordsman is relegated into a small role where he’s used as a living weapon. It’s genre defying in every sense and if you haven’t watched a lot of samurai movies, you won’t really be able to grasp that. That’s why you scorn the greatest war movie ever made, because A) Lots of people have seen it and B) a full 90% of the western audience you’ll be talking to won’t have really gotten it.Soundtrack: The Greater Los Angeles Orchestra - Opener
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People sometimes say to me “Weirdo, I’d like to be a movie snob like you, but I don’t have a lot of time to research or even actually watch the movies. Please tell me what movies would make me seem clever and witty. I don’t want a whole film class, I just want to seem more-artsy-than-thou at my friends.”
To which I say, “Did you just call me a snob?”
Then I do some navel gazing, find the label fits and come back to them saying, “Oh you charming scamp! Of course I’ll help you.” I then tell them that the Swedes make the best action films, as exemplified by the gun battle in Wild Strawberries, The Shaw Brothers in Hong Kong made the deepest and most moving dramas, and that despite what some American “critics” might say, Michael Bay is actually world renowned as the great cinematic genius of our age.
That teaches ‘em for calling me a snob.
When they come back, much chastened and begging forgiveness I then tell them what I’m about to tell you. I find that they also tend to read up on at least one or two of these movies to make sure I’m not yanking their chain again. Sometimes they get so enthusiastic, they even watch one. Just one, mind you. These tend to be the sort of people who want to appear informed but have a really hard time paying attention for more than 30 minutes if there isn’t any sexual exploitation, explosions, or montages to keep them occupied.
Since no one has called me a snob today (Yet! I’m guessing those claims will come rolling in about a minute after I hit the post button) I’ll give it to you on the straight. These lists are intended as a stepping off point, unless you just want to seem smart at dinner parties, then they’re all you’ll ever need. There will be a movie for each group I’m going to mention, an explanation as to why you should see it and as a bonus, just for you ‘cause I like ya a lot, I’m going to tell you an obvious choice that people always come up with that is actually a wrong answer and I’ll tell you why it’s wrong.
Unlike my music post from a while ago, all the movies in this list actually exist. The beauty of cinema is that you don’t have to make up things. You might want in invent a post-punk neo-skiffle band from the Shaanxi Province to pretend like you know more about music, but with movies all you have to do is mention what a good movie Kikujiro is. You get roughly the same effect though. No one I’ve ever talked to has ever heard of that movie except through me.
Let’s begin by deciding what kind of film snob you want to be. You can either be an up to the minute filmie or a classic film lover. I’ll tell you now, there’s no percentage in being a current filmie. To be really hot about that, you’ve got to go to film festivals, and watch some real shitty movies and no one will ever, ever care. You might as well just make up movies and actors because no one will ever see those movies and they’ll think you’re just hanging around those places in hopes of meeting stars and crew in hopes of working your way into Hollywood or sleeping with stars before they were stars. You can’t be cool and be an up to the minute filmie, you might as well hang out in the music scene where making up bands is easier and you’re chances of actually getting laid increase tenfold.
No, being a classic film lover is defiantly the way to go. You get to relax in a comfy chair, watch movies on video, and pick up enough social and historical information about other parts of the world to seem informed without actually having to work at it. You won’t be competing with actors, like you would at a film festival, so you have a better chance of someone finding you sexy and since you can swipe lines from movies no one will see you can appear funny and clever. You can also play the “Movies today are rubbish” game which people like to play for some reason. It could be that movies today are rubbish, but I suspect people are drowning in nostalgia.
Now the second choice you have is do you want to be a “Films Are Art” sort of snob or a “Pulpy Genre stuff and Hollywood still can’t get it right” sort of snob? Either is pretty easy, you just have to remember the mantra, “Hollywood can’t make a good movie.” The main difference between the two is with one you pretty much never watch anything from the American studio system and with the other you can see some, but rarely anything in color. There is another group, that being the “Everything was better before” crowd, but they’re rarely ever considered clever at dinner parties and since that is the goal we’ll forget about those people for now.
Anyway, that’s enough introduction, let’s get on with this and begin our first movie style.
( Let’s begin with Film Noir… )Soundtrack: Zoot Sims - Body and Soul
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